The Persuasion Map is an interactive graphic organizer that enables students to map out their arguments for a persuasive (opinion/argument) essay or debate. Students begin by determining their goal. They then identify three reasons to support their argument, and three facts or examples to support each reason. The map graphic in the upper right-hand corner allows students to move around the map, instead of having to work in a linear fashion. The finished map can be saved, e-mailed, or printed. The students can then take this map and transform it into a written persuasive piece.

Engage middle school students in a meaningful study of the lives of students from across the globe through the use of contemporary nonfiction and fiction. Students create personal autobiographies, sequence story events, and prepare well-crafted summaries while learning to use higher-level comprehension strategies such as Question-Answer Relationships and the Bio-Cube. Additionally, students conduct a critical study of the NCSS Notable Tradebook Nasreen̍s Secret School: A True Story From Afghanistan by Jeanette Winter, comparing and contrasting their own lives to Nasreen̍s and expanding their geographical knowledge of the Middle East.

Students read a variety of picture books that contain elements of the heroŐs journey and use an online interactive tool to analyze the stories.

Students read Bud, Not Buddy by Christopher Paul Curtis, demonstrate comprehension of the story by involving themselves in discussions, and analyze the characters in preparation for a class "press conference."

Students can use the Profile Publisher to mock up or draft online social networking profiles, yearbook profiles, and newspaper or magazine profiles for themselves, other real people (including historical figures), or fictional characters. The tool could also be used for profiles of nonhuman living creatures, inanimate objects or abstract concepts (e.g., profile of an amoeba, an historical monument, or friendship).

Students analyze propaganda techniques used in pieces of literature and political advertisements. They then look for propaganda in other media, such as print ads and commercials.

In this lesson, the teacher explains the difference between thin (factual) and thick (inferential) questions and then models how to compose question webs by thinking aloud while reading. Students observe how to gather information about the topic and add it to question webs in the form of answers or additional questions. Students practice composing thin and thick questions and monitor their comprehension by using question webs in small-group reading. This practice extends knowledge of the topic and engages readers in active comprehension.

This lesson examines how oral reading of poetry may be useful in supporting fluency for sixth- through eighth-grade students. Central to this lesson is the idea that students require practice and repetition to master decoding skills for fluency and comprehension in oral reading. After discussing with the teacher in very explicit terms what readers mean by "reading with expression," students work with partners in selecting a poem from the Internet for oral reading. Working together, students come to appreciate how authors craft their writing to be read and how readers bring meaning to a text, which enables them to read with expression. Once partners have agreed on how their poem should be read, they collaborate on a performance of the poem: an oral reading accompanied by a PowerPoint slide show. As an audience, students come to appreciate the art in interpreting a poem—how a careful reading of language and meaning is something beautiful in itself.

Children are naturally curious—they want to know "how" and "why." Teaching research skills can help students find answers for themselves. This lesson is taken from a research skills unit where the students complete a written report on a state symbol. Here, students learn the importance of citing their sources to give credit to the authors of their information as well as learn about plagiarism. They explore a Website about plagiarism to learn the when and where of citing sources as well as times when citing sources is not necessary. They look at examples of acceptable and unacceptable paraphrasing. Finally, students practice citing sources and creating a bibliography.

Per the authors/creators, students learn the meanings of new words by engaging in a wide array of reading. However, the chances of learning a new word from a single exposure in a naturally occurring context are slim. This lesson provides sixth, seventh- and eighth-grade students with the opportunity to practice using context clues that are purposefully manipulated. Context clues are then combined with semantic gradients, requiring students to both select and generate related words along the continuum. Students work in groups and are required to verbalize their thinking. Additionally, they apply their learning by creating context clues and semantic gradients of their own.

In this strategy guide, you’ll learn about Partner Talk—a way to provide students with another learning opportunity to make learning their own through collaboration and discussion. Partner Talk can be used for assessing classwork, making connections to prior knowledge, discussing vocabulary, or simplifying concepts.

One of the main goals of the English Language Arts Common Core Standards is to build natural collaboration and discussion strategies within students, helping to prepare them for higher levels of education and collaboration in the workforce. In today’s classrooms, students are using complex texts and are being asked to use a variety of strategies and provide evidence-based responses. Partner Talk is a best practice that gives students an active role in their learning and scaffold the experience for students.

In this strategy guide, you will learn how to organize students and texts to allow for learning that meets the diverse needs of students but keeps student groups flexible.

The research that originally gave credibility to the jigsaw approach—creating heterogeneous groups of students, diving them into new groups to become expert on a topic, and then returning them to their home groups—touted its value as a means of creating positive interdependence in the classroom and improving students’ attitudes toward school and each other.

Students use both analytical and creative skills to adapt passages from a novel with significant internal dialogue and conflict, such as Toni Morrison's "Beloved", into a ten-minute play.

Everyone knows that "Star Wars" character Darth Vader is a villain. This lesson asks students to explore how they know such things about heroes and villains they encounter in texts. After examining how moviemakers communicate the villainy of Darth Vader, students examine a passage from Harry Potter and the Sorcerers Stone that describes the villain Voldemort, noting how Rowling communicates details about the character. Students then read novels in small groups, with each group member tracking a character in a reading log. When they finish their novels, students design posters and present details on their novels to the class. After the presentations, students make observations on how authors develop character and write journal entries reflecting on what they learned.

The Trading Card tool gives students an alternative way to demonstrate their literacy knowledge and skill when writing about popular culture texts or real world examples. This interactive allows students to create their own trading card about a real or fictional person, place, object, event, or abstract concept.

Students evaluate book reviews written by other children, discussing their components and effectiveness, and write reviews of favorite books to record on video or post online.

This unit introduces students to the three types of irony and then builds on that knowledge over the course of multiple sessions. Students watch YouTube videos to categorize information on a graphic organizer, apply the knowledge from those videos to outside examples of irony, read short stories which employ the three types of irony, and ultimately demonstrate their ability to apply irony to our modern world. Over the course of these five days, through the use of effective formative assessments, students are able to move from identification to manipulation of a skill through the scaffolding provided from the teacher and other resources.

Students analyze the elements of a novel in many different genres and then hyperlink these pieces together on student-constructed Websites.

In this lesson, designed for a heterogeneous group of students that includes English-language learners, students work together to plan a website based on their home knowledge. An introductory lesson outlines the structure and components of simple websites (home page, titles, headings, links). Students take home and complete a bilingual student and family interest survey, then work in groups of four or five to identify common themes among the responses. Each group makes a flow chart to think graphically about the contents of their planned website. Each student keeps a project notebook to record new ideas, summarize group work, and share the project with family members. The teacher can make the planned websites a reality using one of the online website-building platforms in the Resources list.

Students analyze how poetry differs from prose in structure, form, purpose, and language. This lesson begins with a quick-write and a general discussion of the essential question What is poetry? Students are then reminded that different texts require different responses from readers, and to illustrate the differences they explore a poem and a prose selection on the same topic. Students discuss the two texts in cooperative groups, using a list of guiding questions. Each group then develops a list of descriptive statements about poetry, and the groups share their statements during a whole-class discussion that reconsiders the original question.