Updating search results...

Search Resources

1453 Results

View
Selected filters:
  • Fine Arts
Ancient Philosophy, Fall 2004
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

This course will acquaint the student with some of the ancient Greek contributions to the Western philosophical and scientific tradition. We will examine a broad range of central philosophical themes concerning: nature, law, justice, knowledge, virtue, happiness, and death. There will be a strong emphasis on analyses of arguments found in the texts.

Subject:
Fine Arts
Philosophy
Social Studies
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Haslanger, Sally
Date Added:
01/01/2004
The Ancient World: Greece, Fall 2004
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

History of Ancient Greece from the Bronze Age to the death of Alexander. Major social, economic, political, and religious trends. Homer, heroism, and the Greek identity; the hoplite revolution and the rise of the city-state; Herodotus, Persia, and the (re)birth of history; Empire, Thucydidean rationalism, and the Peloponnesian War; Platonic constructs; Aristotle, Macedonia, and Hellenism. Emphasis on use of primary sources in translation.

Subject:
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Broadhead, William
Date Added:
01/01/2004
Angles, Spring 2010
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

Angles is an annual online magazine of exemplary writing by MIT students. All of the works published in Angles since its first edition in 2008 were written by students in the introductory writing courses. These courses, designated as CI-HW (Communications-Intensive Humanities Writing) subjects, bring together students who love to write, students who struggle with writing, students who thrive in seminar-style classes, and students who just want a chance to develop their English skills. These students prosper together and produce some remarkable work. Angles has provided them with a public outlet for that work. It also provides the CI-HW instructors with material that inspires and guides their current students.

In these classes, students learn to read more critically, to address specific audiences for particular purposes, to construct effective arguments and narratives, and to use and cite source material properly. Students in these courses write a great deal; they prewrite, write, revise, and edit their work for content, clarity, tone, and grammar and receive detailed feedback from instructors and classmates. Assigned readings are related to the thematic focus of each course, and are used as demonstrations of writing techniques. The pieces in Angles may be used as teaching tools and practical examples for other students and self-learners to emulate.

Subject:
English Language Arts
Fine Arts
Literature
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Dr. Andrea Walsh
Dr. Cynthia Taft
Dr. Karen Boiko
Jane Kokernak
Jared David Berezin
Louise Harrison Lepera
Lucy Marx
Date Added:
01/01/2015
Anthony Reynoso
Unrestricted Use
Public Domain
Rating
0.0 stars

Nine-year old Anthony is proud of his history, culture, and family tradition of Mexican rodeo-style roping and riding. He also enjoys various aspects of his modern life such as school, basketball, friendships, swimming, and exploring.

Subject:
Fine Arts
Material Type:
Lesson Plan
Unit of Study
Provider:
Basal Alignment Project
Provider Set:
Fresno District
Author:
Ginger Gordon
Martha Cooper
Date Added:
09/01/2013
Anti-Railroad Propaganda Poster: The Growth of Regionalism, 1800-1860
Unrestricted Use
Public Domain
Rating
0.0 stars

This lesson uses a poster decrying the disruptive influence of railroads on local culture to launch a discussion on local differences and their effect on American politics. Explanatory text, materials for teachers, and links to further resources accompany the documents. This lesson correlates to the National History Standards and the National Standards for Civics and Social Sciences. It also has cross-curricular connections with history, government, and art.

Subject:
Fine Arts
Performing and Visual Arts
Social Studies
U.S. History
Material Type:
Lesson Plan
Provider:
National Archives and Records Administration
Date Added:
07/12/2000
Arabic 7 Learn Arabic Online Blogspot
Read the Fine Print
Educational Use
Rating
0.0 stars

This is a blogspot through which the author has gathered a number of videos, PDF files, and articles to teach basic Arabic. There is information on how to install Arabic on a windows computer, vocabulary lists including the days of the week and Arabic phrases, an article on the history of Arabic grammar, information on the alphabet and how to read and write it, an Arabic keyboard, recorded conversations, links to the Madinah Books, and more. The majority of the information given is accompanied YouTube videos and written explanations.

Subject:
Fine Arts
World Languages
Material Type:
Lecture
Reading
Textbook
Provider:
arabic7
Date Added:
10/10/2017
Arabic Grammar: Paradigms, Literature, Exercises and Glossary (PDF)
Unrestricted Use
Public Domain
Rating
0.0 stars

This textbook is designed for beginning students in Arabic and focuses on formal grammar. It tackles grammar from a classical standpoint and relies on highly technical terminology. The textbook includes exercises based on passages from classic Arabic literature as well as brief anecdotes. Two glossaries are appended at the end of the text. The filesize is 16 MB.

Subject:
English Language Arts
Fine Arts
Language, Grammar and Vocabulary
World Languages
Material Type:
Homework/Assignment
Textbook
Provider:
Williams & Norgate
Author:
Albert Socin
Date Added:
10/10/2017
Arabic Grammar of the Written Language (PDF)
Unrestricted Use
Public Domain
Rating
0.0 stars

First published in 1910, this book focuses exclusively on the grammar of Modern Standard Arabic as it is used in written Arabic. It contains an introduction that explains the Arabic alphabet and pronunciation and 49 lessons that describe the foundational grammatical elements of MSA, including articles, gender, and the noun and verb systems. The text includes Arabic-English and English-Arabic vocabulary sections as well as a supplement with extract from the Qur'an, classical literature, media, and correspondence. The filesize of the PDF is 32 MB.

Subject:
English Language Arts
Fine Arts
Language, Grammar and Vocabulary
Literature
World Languages
Material Type:
Textbook
Provider:
Julius Groos
Author:
Ernst Harder
Griffithes Wheeler Thatcher
Date Added:
10/10/2017
Arabic I
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

This is a textbook for beginning Arabic language learning. The textbook is divided into twelve lessons. Each lesson focuses on an activity and common theme to introduce the basics of Arabic. Each lesson starts with a short video, which you'll be asked to watch. To help you understand the video, each lesson also includes a transcript (in English), a list of vocabulary (with audio clips), and language and grammar notes.

Subject:
Fine Arts
Social Studies
World Cultures
World Languages
Material Type:
Full Course
Textbook
Provider:
University of North Carolina at Chapel Hill School of Education
Provider Set:
LEARN NC Lesson Plans
Date Added:
10/10/2017
Arabic I
Read the Fine Print
Educational Use
Rating
0.0 stars

This is an online textbook for basic Arabic. It begins with a brief lesson on the alphabet and then proceeds to units grouped by topic, which move into more advanced Arabic vocabulary and grammar. The lessons are accompanied by audio files and videos, and the videos come with bilingual transcripts. There are 6 total units, and 15 lessons. Each unit has stated learning goals, broken up into specific lessons. Each lessons comes with videos, vocabulary (with corresponding audio files), and notes that relate to grammar.

Subject:
Fine Arts
World Languages
Material Type:
Full Course
Lecture
Textbook
Provider:
University of North Carolina at Chapel Hill School of Education
Date Added:
10/10/2017
Architects and Engineers
Read the Fine Print
Educational Use
Rating
0.0 stars

Students explore the interface between architecture and engineering. In the associated hands-on activity, students act as both architects and engineers by designing and building a small parking garage.

Subject:
Art and Design
Career and Technical Education
Education
Fine Arts
Physical Science
Physics
Technology and Engineering
Material Type:
Activity/Lab
Lesson Plan
Provider:
TeachEngineering
Provider Set:
TeachEngineering
Author:
Abigail Watrous
Denali Lander
Integrated Teaching and Learning Program,
Janet Yowell
Katherine Beggs
Melissa Straten
Sara Stemler
TeachEngineering.org
Date Added:
09/18/2014
Architectural Construction and Computation, Fall 2005
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

This class investigates the use of computers in architectural design and construction. It begins with a pre-prepared design computer model, which is used for testing and process investigation in construction. It then explores the process of construction from all sides of the practice: detail design, structural design, and both legal and computational issues.

Subject:
Art and Design
Career and Technical Education
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Sass, Lawrence
Turkel, Joel
Date Added:
01/01/2005
Architectural Design: Intentions, Spring 2004
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

" This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary."

Subject:
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Lukez, Paul
Date Added:
01/01/2004
Architectural Design, Level III: A Student Center for MIT, Fall 2004
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

" This studio will investigate the social, programmatic, tectonic and phenomenological performance and character of a student gathering place on the MIT campus. Whether it is simply for socializing or for more specific events, the student gathering place will serve as a refuge from the vigorous educational environment of the Institute, and it will reinforce a critical sense of "place" through the almost logical organization of its program. The place will foster a casual discovery of "being": a reflection upon the student's own existence based upon participation in group events and an intellectual attitude toward acting. To create a space that inspires, rather than imposes: such a discovery is the foremost challenge of this studio."

Subject:
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Domeyko, Fernando
Date Added:
01/01/2004
Architectural Design, Level II: Material and Tectonic Transformations: The Herreshoff Museum, Fall 2003
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

This semester students are asked to transform the Hereshoff Museum in Bristol, Rhode Island, through processes of erasure and addition. Hereshoff Manufacturing was recognized as one of the premier builders of America's Cup racing boats between 1890's and 1930's. The studio however, is about more then the program. It is about land, water, and wind and the search for expressing materially and tectonically the relationships between these principle conditions. That is, where the land is primarily about stasis (docking, anchoring and referencing our locus), water's fluidity holds the latent promise of movement and freedom. Movement is activated by wind, allowing for negotiating the relationship between water and land.

Subject:
Art and Design
Career and Technical Education
Fine Arts
Performing and Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Lukez, Paul
Date Added:
01/01/2003
Architectural Design, Level II: New Orleans Studio, Spring 2006
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

The project for this studio is to design a demonstration project for a site near the French Quarter in New Orleans. The objectives of the project are the following: To design more intense housing, community, educational and commercial facilities in 4 to 6 story buildings. To explore the "space between" buildings as a way of designing and shaping objects. To design at three scales - dwelling, cluster and overall. To design dwellings where the owners may be able to help build and gain a skill for employment. To provide/design facilities that can help the residents to gain education and skills.

Subject:
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Wampler, Jan
Date Added:
01/01/2006
Architectural Design, Level I: Perceptions and Processes, Fall 2003
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

Establishes basic attitudes toward architectural organization and its reflection in form. Includes projects where imposed conditions of site, program, and building system emphasize the interrelationship of fundamental elements in the pattern of decision-making that constitutes architectural design. Develops presentations through drawings and models. Intended for entering M.Arch. students. Course Description This studio explores the notion of in-between by engaging several relationships; the relationship between intervention and perception, between representation and notation and between the fixed and the temporal. In the Exactitude in Science, Jorge Luis Borges tells the perverse tale of the one to one scale map, where the desire for precision and power leads to the escalating production of larger and more accurate maps of the territory. For Jean Baudrillard, "The territory no longer precedes the map nor survives it. ĺÉit is the map that precedes the territory... and thus, it would be the territory whose shreds are slowly rotting across the map." The map or the territory, left to ruin-shredding across the 'other', beautifully captures the tension between reality and representation. Mediating between collective desire and territorial surface, maps filter, create, frame, scale, orient, and project. A map has agency. It is not merely representational but operational, the experience and discursive potential of this process lies in the reciprocity between the representation and the real. It is in-between these specific sets of relationships that this studio positions itself.

Subject:
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Yoon, Jeannie Meejin
Date Added:
01/01/2003
Architectural Design Workshop: Collage - Method and Form, Spring 2004
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

This class investigates the theory, method, and form of collage. It studies not only the historical precedents for collage and their physical attributes, but the psychology and process that plays a part in the making of them. The class was broken into three parts, changing scales and methods each time, to introduce and study the rigor by which decisions were made in relation to the collage. The class was less about the making of art than the study of the processes by which art is made.

Subject:
Art History
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Jarzombek, Mark
Date Added:
01/01/2004
Architectural Design Workshops Computational Design for Housing, Spring 2002
Conditional Remix & Share Permitted
CC BY-NC-SA
Rating
0.0 stars

An intensive 9 DAY remote collaborative workshop involving MIT and Miyagi University in Japan. The objective is to develop a small housing project using shape computation as a design methodology. Students will use and test new interactive software for designing, sharing applications with overseas partners, presenting projects on an Internet workspace, and critiquing design proposals through the web and other advanced digital technologies. Students will be expected to do most of their work in class.

Subject:
Art and Design
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Knight, Terry W.
Date Added:
01/01/2002