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Improving Student Engagement in 8th Grade ELA
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Teacher David Pretos classroom is visited by teacher evaluator Renee OLeary. She suggests he work on engaging students by making lessons more active and communicating class goals more specifically. Watch him take her advice and put it into action.

Subject:
Fine Arts
Material Type:
Lesson Plan
Teaching/Learning Strategy
Provider:
Teaching Channel
Provider Set:
Teaching Channel
Date Added:
10/10/2017
Modern Poetry and Poetics
Unrestricted Use
CC BY
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This course will ask what makes poetry 'modern?' The student will discuss the cultural and political history of the period as well as the major movements that comprise 'modern poetry,' stopping to become acquainted with its noteworthy practitioners and perform close-readings of their works. By the end of this course, the student will have critically explored the concept of modern poetry, identifying its characteristic techniques, concerns, and figures. Upon completion of this course, students will be able to: describe Modernity/Modernism as both a historical period and a movement in art and literature; define and differentiate between the terms modern, modernism, and modernity; define Victorianism and explain its relationship to Modernism; describe the nature of turn-of-the-twentieth-century poetry in both England and France; define Symbolism, Dandyism, Aestheticism, and Decadence; provide accounts of the origins of the Great War, life in Edwardian England, and World War II; list, compare, and contrast the major authors of the early 1900s, of World War I, the Lost Generation, World War II, the Great Depression, the Holocaust, High Modernism, the Harlem Renaissance, and the post-WWII period. (English Literature 408)

Subject:
Literature
Fine Arts
Performing and Visual Arts
World Cultures
Material Type:
Full Course
Lecture
Lecture Notes
Reading
Syllabus
Provider:
The Saylor Foundation
Date Added:
10/10/2017
Reading Poetry, Spring 2009
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CC BY-NC-SA
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""Reading Poetry" has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions -- as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture."

Subject:
Composition and Rhetoric
Fine Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Vaeth, Kim
Date Added:
01/01/2009