I include this assignment in my 11-12 Grade Native American Literature class. I usually introduce this unit after students have read the short story "This is What it Means to Say Phoenix, Arizona," by Sherman Alexie (Form his book The Lone Ranger and Tonto Fistfight in Heaven). The story (along with pieces of his other short stories) was the inspiration for the 1998 film Smoke Signals, one of the first authentic films to examine the humor, pain, loss and struggle of reservation life.After reading the story and watching the film, students write about what makes the film authentic and how forgiveness plays into the ability to move on.We then watch the documentary film Reel Injun (2009), chronicling the evolution of Native American portrayals in film. Next, students have the opportunity to discuss the attributes of authentic Native American depictions in film and what aspects of Native culture they would like to see in film.Finally, we finish the unit by looking at the impact of stereotypes in film, especially children's films, and students watch the Disney film Pocahantas (2005) through the lens of a movie critic and write a movie review based on the film, focusing on the authenticity of racial and cultural portrayals.Video Lesson: The Evolution of Native American Representations in Film

As part of the Worcester State University OER initiative in Spring 2017, Dr. Elizabeth Osborne created and translated course materials for her SP 322, Advanced Spanish Composition II, course. Materials have been divided into peer review (revisión por pares) handouts, close reading activities (actividades de lectura detallada) and other miscellaneous materials. The materials included here are by no means exhaustive, but they serve as a starting point to making education affordable and to filling the gap in Spanish-language OER for upper division courses.

This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.