"This semester, we will read writing about travel and place from Columbus's Diario through the present. Travel writing has some special features that will shape both the content and the work for this subject: reflecting the point of view, narrative choices, and style of individuals, it also responds to the pressures of a real world only marginally under their control. Whether the traveler is a curious tourist, the leader of a national expedition, or a starving, half-naked survivor, the encounter with place shapes what travel writing can be. Accordingly, we will pay attention not only to narrative texts but to maps, objects, archives, and facts of various kinds. Our materials are organized around three regions: North America, Africa and the Atlantic world, the Arctic and Antarctic. The historical scope of these readings will allow us to know something not only about the experiences and writing strategies of individual travelers, but about the progressive integration of these regions into global economic, political, and knowledge systems. Whether we are looking at the production of an Inuit film for global audiences, or the mapping of a route across the North American continent by water, these materials do more than simply record or narrate experiences and territories: they also participate in shaping the world and what it means to us. Authors will include Olaudah Equiano, Caryl Philips, Claude L?vi-Strauss, Joseph Conrad, Jamaica Kincaid, William Least Heat Moon, Louise Erdrich, ?lvar N

In this activity, students create a book, newspaper or other published work to communicate what they have learned about engineering and the environment.

Students, scholars, bloggers, reviewers, fans, and book-group members write about literature, but so do authors themselves. Through the ways they engage with their own texts and those of other artists, sampling, remixing, and rethinking texts and genres, writers reflect on and inspire questions about the creative process. We will examine Mary Shelley's reshaping of Milton's Paradise Lost, German fairy tales, tales of scientific discovery, and her husband's poems to make Frankenstein (1818, 1831); Melville's redesign of a travel narrative into a Gothic novella in Benito Cereno (1856); and Alison Bechdel's rewriting of Oscar Wilde's The Importance of Being Earnest (1895) in her graphic novel Fun Home (2006). Showings of film versions of some of these works will allow us to project forward in the remixing process as well.

Does race still matter, as Cornel West proclaimed in his 1994 book of that title, or do we now live, as others maintain, in a post-racial society? The very notion of what constitutes race remains a complex and evolving question in cultural terms. In this course we will engage this question head-on, reading and writing about issues involving the construction of race and racial identity as reflected from a number of vantage points and via a rich array of voices and genres. Readings will include literary works by such writers as Toni Morrison, Junot Diaz, and Sherman Alexie, as well as perspectives on film and popular culture from figures such as Malcolm Gladwell and Touré.

Your company website needs to come to life and teach site visitors about your products and the people behind them. In the following activity, you and your team will construct an “About Us” web page so anyone who visits the site will come away impressed.Learning outcome: Students will understand the value of an "About Us" web page and how to write about their business properly.----Special note: you have a sample pack activity that accompanies Danny Rubin's book, Wait, How Do I Write This Email?, a collection of 100+ templates for networking, the job search and LinkedIn.Each book features 40+ additional classroom activities on more in-demand topics, including:Email etiquetteNetworkingInternship/job search emailsResumeLinkedInPhone etiquetteSee the 100+ activities from the Rubin Education online curriculum (covers employability, business promotion and leadership)If you'd like to explore the additional material and learn about pricing, please fill out this short contact form and a Rubin Education learning specialist will follow up with you.

This presentation was given to Middle School writing teachers to help share the "why" behind the need to move to a new curricular resource in writing. This was a springboard for conversation around best practice for writing instruction and assessment.

Studies the relation between imaginative texts and the culture surrounding them. Emphasizes ways in which imaginative works absorb, reflect, and conflict with reigning attitudes and world views. Instruction and practice in oral and written communication. Topic for Fall: Ethical Interpretation. Topic for Spring: Women Reading, Women Writing.

For students, personal statements and application essays are among the most difficult and most important documents they will ever write. They are difficult because they require both introspection and polish, and important because the writer may literally be competing for tens of thousands of dollars in a huge field of outstanding candidates. A writing tutor who has provided guidance on more than a thousand graduate applications, Joe Schall advises you on how to be competitive but not cocky, informed but not formulaic, openly creative yet professional. As you consider ways to write your way into your future, count on this website to help you grow and thrive in the process.

Building on the foundation laid by the popular earlier print editions of his faculty handbook on writing recommendation letters, Joe Schall digs deeper in this new online edition, addressing issues including the ethical considerations faculty wrestle with when writing letters and the new challenges posed by the information age. Citing sources ranging from The Chronicle of Higher Education to refereed journal articles to excerpts from listserv discussions among scholarship directors, this handbook advises faculty on the best practices when writing letters for students, as well as informs writers about nine of the nation's top scholarships and the detail that selectors crave in winning scholarship reference letters.

MIT students are challenged daily to solve for x, to complete four problem sets, two papers, and prepare for an exam worth 30% of their grade... all in one night. When they do stop to breathe, it's for a shower or a meal. What does this have to do with creative writing? Everything. Creative writing and MIT go together better than you might imagine.

This lesson allows students to write a collaborative sonnet, either as a class or in small groups. Composing a sonnet as a class or group can be an effective way of reinforcing understanding of the sonnet's pattern and could be used to pave to the way for writing individual sonnets. Students start with the rhyme scheme and work backwards to fill in the iambic pentameter of the lines. This could easily be used with many sonnet or poetic forms.

Subject focused on the ways writers transform experience into finished and polished writing in the forms of memoir, autobiography, and essay. Frequent writing assignments, regular revisions, and short oral presentations are required. Readings and specific writing assignments vary by section. See subject's URL for enhanced section descriptions. Emphasis is on developing students' ability to write clear and effective prose. Students can expect to write frequently, to give and receive response to work in progress, to improve their writing by revising, to read the work of accomplished writers, and to participate actively in class discussions and workshops.

Exploration of formal and informal modes of writing nonfiction prose. Extensive practice in composition, revision, and editing. Reading in the literature of the essay from the Renaissance to the present, with an emphasis on modern writers. Classes alternate between discussion of published readings and workshops on student work. Individual conferences. This is a course focused on the literary genre of the essay, that wide-ranging, elastic, and currently very popular form that attracts not only nonfiction writers but also fiction writers, poets, scientists, physicians, and others to write in the form, and readers of every stripe to read it. Some say we are living in era in which the essay is enjoying a renaissance; certainly essays, both short and long, are at present easier to get published than are short stories or novels, and essays are featured regularly and prominently in the mainstream press (both magazines and newspapers) and on the New York Times bestseller books list. But the essay has a history, too, a long one, which goes back at least to the sixteenth-century French writer Montaigne, generally considered the progenitor of the form. It will be our task, and I hope our pleasure, to investigate the possibilities of the essay together this semester, both by reading and by writing.

Writing in College is designed for students who have largely mastered high-school level conventions of formal academic writing and are now moving beyond the five-paragraph essay to more advanced engagement with text. It is well suited to composition courses or first-year seminars and valuable as a supplemental or recommended text in other writing-intensive classes. It provides a friendly, down-to-earth introduction to professors’ goals and expectations, demystifying the norms of the academy and how they shape college writing assignments. Each of the nine chapters can be read separately, and each includes suggested exercises to bring the main messages to life. Students will find in Writing in College a warm invitation to join the academic community as novice scholars and to approach writing as a meaningful medium of thought and communication. With concise discussions, clear multidisciplinary examples, and empathy for the challenges of student life, Guptill conveys a welcoming tone. In addition, ...

Writing the Nation: A Concise Guide to American Literature 1865 to Present is a text that surveys key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature.

This independent training module by the Health Workforce Initiative teaches written communication for producing professional quality healthcare documents. After explaining the importance of written communication in healthcare, the module provides two main activities. I would recommend just the first activity as that aligns with the standard, and the second one does not. For the first activity, students will receive a “Discharge Instructions” document, and the students will rewrite this document using professional words that a patient without a healthcare background would understand. The goals of this activity are for students to practice professional writing for healthcare documents, identify terminology they should use to communicate with patients in healthcare documents, and practice some English Language Arts skills.

Zoom In provides 18 guided lessons on historical events where students focus on reading primary and secondary documents closely, gathering evidence, and writing an argumentative or explanatory essay. Throughout the process students are asked to do the following:
Read documents closely and criticallyIdentify author's point of view and purposeEngage in higher-order, text-based discussionsWrite explanatory and argumentative essays grounded in evidence

eComma is a social reading tool teachers can install in their Learning Management System (LMS). It allows students and teachers to read and annotate texts together, pooling their knowledge and perspectives for a deeper understanding and analysis of what they are reading. The eComma website linked here explains how to explain the tool in an LMS and has a user guide and case studies with ideas for how to use it in a class.

Laboratory activity on springs and simple harmonic motion that encourages creative development of experiments and clear presentation of quantitative results in the form of a memo.