Union troops captured the former president of the Confederacy, Jefferson Davis, in May 1865. Whether Davis, who had eluded arrest for over a month, was actually wearing his wife's dress when he was caught is open to question. Nonetheless, the depiction of the captured Davis in woman's clothes was featured in many illustrations and cartoons in the northern press. These images—like earlier pictures of southern women sending their men to war and rioting—questioned the South's claims of courage and chivalry by showing its men and women reversing traditional sex roles.

Between 1800 and 1840, improved transportation networks and larger markets altered the way goods were produced, as workshops and factories became larger and fewer goods were produced by household labor. Another effect of growing industrialization was social stratification, as some master craftsmen became businessmen while their journeymen lost their independence and became wage workers. This illustration from the 1841 novel The Career of Puffer Hopkins caricatured the growing distinction between masters and journeymen. The master tailor's prosperous outfit, stance, and fancy business address (New York's Broadway) sharply contrasted with the journeyman's wretched appearance and workshop-home.

This resource offers ongoing professional development, resources, and further programming around the converging fields of arts education and special education. Includes reseources for educators and parents, webinars, professional papers and an extensive bibliography of journal articles on arts education and special education.

Baseball's growing popularity in the 1920s can be measured by structural and cultural changes that helped transform the game, including the building of commodious new ballparks; the emergence of sports pages in daily urban newspapers; and the enormous popularity of radio broadcasts of baseball games. But baseball's grip on the American popular imagination also was fueled by the emergence in the 1920s of the game's most dominant player, George Herman "Babe" Ruth. Ruth's rise to stardom in these years was an essential part of an era when celebrities came to dominate the various forms of American popular culture: sports, especially baseball; radio; and the movies. In these short articles that appeared in the Literary Digest in 1921 and 1923, two baseball writers described the importance of the Ruthian home run and the majesty of Yankee Stadium, the new temple that Yankee management built in 1923 to accommodate the Babe.

Fears about the impact of movies on youth led to the Payne Fund research project, which brought together nineteen social scientists and resulted in eleven published reports. One of the most fascinating of the studies was carried out by Herbert Blumer, a young sociologist who would later go on to a distinguished career in the field. For a volume that he called Movies and Conduct (1933), Blumer asked more than fifteen hundred college and high school students to write "autobiographies"of their experiences going to the movies. In this motion picture autobiography, a high school "girl" talked about what the movies of the 1920s meant to her.

New Deal arts projects were guided by two novel assumptions: artists were workers and art was cultural labor worthy of government support. That commitment was demonstrated most dramatically in the Federal Art Project (FAP), a relief program for depression-era artists. Some painters and sculptors continued working in their studios with the assistance of relief checks--their work was placed in libraries, schools, and other public buildings. Others lent their talents to community art centers that made art training and appreciation accessible to wider audiences. FAP also sponsored the Index of American Design, which set out to discover what was "American" in decorative arts: several hundred artists produced illustrations of thousands of objects in museums and private collections, a source that remains invaluable for historians of American art, society, and culture. In essays written as part of the New Deal's documentation of its own efforts, two editors of the Index of American Design explained the exhaustive search for a distinctive American art in the artifacts of everyday use and decoration.

In the 1920s, new sexual ideologies reshaped prescriptions for marriage, incorporating moderate versions of feminism. "Modern Marriage," an excerpt from Floyd Dell's Outline of Marriage (1926), set out the ideal of companionship between husband and wife. In this mock dialogue, a savvy young wife instructed a professor in the ways of modern marriage. She frankly endorsed birth control, simplified housekeeping, shared housework, and paid work for childless wives. At the same time, Dell's dialogue affirmed a romantic view of fundamental sexual differences. Generically named "The Young Woman," the female character averred that she chose motherhood as "fulfillment of my nature." Circulated by the American Birth Control League, the tract sought to win support for contraception by portraying its place in respectable, if "modern," marriages.

In February and March 1913, the "International Exhibition of Modern Art" opened at New York City's 69th Regiment Armory. After a tour of the U.S., a half million people had seen the exhibit--one of the most influential in American art history. The self-consciously "modern" Armory show, organized by art patron Arthur B. Davies, challenged the artistic establishment. Two-thirds of the 1,600 works were by Americans, and the Europeans whose works were exhibited--Picasso, Matisse, Seurat, Van Gogh, Gaughin, and Duchamp among them--were far from the conservatives that Americans were used to. "We want this old show of ours," declared one of the organizers, "to mark the starting point of a new spirit in art, at least as far as America is concerned." The show raised the hackles of many critics (one newspaper offered a reward to any schoolchild who could find the nude in the show's most controversial painting, Duchamp's "Nude Descending a Staircase"). But art critic W.D. MacColl praised the Armory Show's avant-garde spirit in this Forum magazine review from July 1913.

Television had become the nation's largest medium for advertising by the mid-1950s, when the Revlon cosmetics corporation agreed to sponsor The $64,000 Question, the first prime-time network quiz show to offer contestants fabulous sums of money. As Revlon's average net profit rose in the next four years from $1.2 million to $11 million, a plethora of quiz shows tried to replicate its success. At the height of their popularity, in 1958, 24 network quiz shows--relatively easy and inexpensive to produce--filled the prime-time schedule. Many took pains in their presentation to convey an aura of authenticity--contestants chosen from ordinary walks of life pondered fact-based questions inside sound-proof isolation booths that insured they received no outside assistance. To guarantee against tampering prior to airtime, bank executives and armed guards made on-air deliveries of sealed questions and answers said to be verified by authorities from respected encyclopedias or university professors. When the public learned in 1959 that a substantial number of shows had been rigged, a great many were offended. One survey, however, showed that quite a few viewers didn't care. Following the revelations, prime-time quiz shows went off the air, replaced in large part by series telefilms, many of which were Westerns. The industry successfully fended off calls for regulation, and by blaming sponsors and contracted producers, networks minimized damage and increased their control over programming decisions. In the following testimony to a Congressional subcommittee, one contestant offered proof that he had been coached, while a second refused to acknowledge "moral qualms" in perpetrating the fraud. A third, a teenager, related how she "goofed" and won a match that she was supposed to tie.

"There is nothing about an individual as important as his IQ," declared psychologist Lewis M. Terman in 1922. To the extent that this is true, it is in large measure because of Terman himself and the opportunity that World War I afforded for the first widespread use of intelligence testing. The army's use of intelligence tests lent new credibility to the emerging profession of psychology, even as it sparked public debate about the validity of the tests and their implications for American democracy. Some contemporaries expressed skepticism about the broad claims of army intelligence testing. In this lighthearted, anonymous commentary, from the April 1918 issue of the army post newspaper Camplife Chickamauga, a would-be poet mocked psychologists with gentle humor.

Alexander Graham Bell first exhibited his telephone at the Centennial Exposition in Philadelphia in 1876, but many people were initially dubious about the utility of Bell's invention. Nevertheless, by the mid-1890s, about 300,000 phones were in use and by World War I, the number reached 10.5 million. Learning to use this new device, Americans wondered what to say to start a telephone conversation. Bell's choice for an initial greeting was "Ahoy." Others argued for more formal greetings like "What is wanted?" or "Are you there?" In 1877, Thomas Alva Edison, the famous inventor who developed the first practical telephone transmitter, solved the problem by introducing "Hello!" as the standard English telephone greeting. The word had been around for a little while--Twain had even used it in Tom Sawyer --but why Edison chose to use it is not known. Whatever the derivation, "hello" had become standard by 1880 when Mark Twain used it in this comic sketch, "A Telephonic Conversation."

The state governments that came to power in the South in 1865 and 1866 passed harsh laws regulating the movement and conditions of work for newly freed slaves. Known as Black Codes, these laws sought to recreate slavery in all but name by preventing blacks from working outside of agriculture and domestic service, limiting their movement, and subjecting those without a contract for employment to arrest and forced labor. Local officials also gave tacit or overt support to intense racist violence. Rioting whites in Memphis killed forty-six African-Americans in May 1866. Two months later, thirty-four blacks and three white supporters were murdered by a white mob in New Orleans. In this picture, Thomas Nast gave his view of Andrew Johnson's role in the July 1866 New Orleans riot.

In the winter of 1876, testimony from a Pinkerton Detective Agency operative was used to destroy the Pennsylvania miners union, as 20 miners were accused of membership in a militant Irish organization called the Molly Maguires, convicted of murder, and hanged. The negative publicity from the trial effectively killed unionism in Pennsylvania mining for twenty years. This picture illustrated The Mollie Maguires and the Detectives, Allan Pinkerton's self-serving account of his detective agency's infiltration of the secret society of miners. Pinkerton's work in the service of the Reading Railroad typified the widespread use of private police and organized violence by railroads and other businesses to suppress unions.

Indian people of the Eastern Woodlands (northeastern North America) followed a seasonal schedule of hunting, fishing, gathering wild food, and the cultivation of crops. They relied upon cultivated crops such as corn, beans, and squash for much of their food. Men primarily provided the meat and fish, while women were responsible for supplying cultivated vegetables along with wild berries, nuts, and fruit. While men helped clear the fields, women did the planting, weeding, and harvesting in the warm months. Many European observers remarked upon what they saw as drudgery inflicted upon Indian women. However, Joseph-Franois Lafitau, a Jesuit missionary and writer, was also a keen ethnographic observer of the details of Iroquois life. In this account, he noted the similarities between farm women's work in Europe and among the Iroquois.

When Boston native Benjamin Franklin entered Philadelphia in 1723, he had few coins in his pocket and scarce entrepreneurial skills. However, Franklin did have valuable training as a printer, and he came armed with some significant introductions to local printers. Printers and other craftsmen relied upon a network of masters, journeymen, and patrons to learn the craft and support themselves. Colonial printers needed expensive imported equipment, yet they had to make do with a limited market for their services--perhaps publishing a newspaper, an occasional pamphlet, or government publication. Franklin wrote his autobiography, from which this account is excerpted, many years after his career as an active printer had ended and his renown as a statesmen, scientist, and moral philosopher had spread.

Fears about the impact of movies on youth led to the Payne Fund research project, which brought together nineteen social scientists and resulted in eleven published reports. One of the most fascinating of the studies was carried out by Herbert Blumer, a young sociologist who would later go on to a distinguished career in the field. For a volume that he called Movies and Conduct (1933), Blumer asked more than fifteen hundred college and high school students to write "autobiographies"of their experiences going to the movies. This seventeen-year-old African American used his motion picture autobiography to describe how films not only led to dreams of fast cars but also made him "feel the injustice done the Negro race."

The Industrial Workers of the World (IWW), founded in 1905, sought to organize all workers into one big union" to abolish the wage system

This 1903 police department arrest record reflects the faith in data and science espoused by some Progressives. The reputedly scientific measurements instituted by French anthropologist Alphonse Bertillon claimed to detect innate criminality and other character flaws, many associated with particular ethnic and racial groups, through physical evidence. Although it bore the stamp of scientific approval, this and other contemporary techniques for differentiating people based on race or physical characteristics incorporated widely held beliefs that Southern Europeans, Asians, and African Americans were inherently and biological different from and inferior to white Anglo Saxons. These beliefs, in turn, lent credence to the rise of Jim Crow and immigrant exclusion.

Pete Seeger, folksinger, songwriter, and activist, provides a remarkable link between the radical culture of the 1930's and the protest culture of the 1960's. In 1940 Seeger met Woody Guthrie and the two formed the Almanac Singers, a leftist singing group that recorded pacifist and pro-union songs. After the war, Seeger formed the Weavers, a popular folk music group, but his successful career was hurt by Cold War red-baiting. While he lived and worked under siege for his political views during the 1950's, Seeger had a large impact on the protest culture of the 1960's, penning some of the era's most important songs, including a variation on a spiritual that became the anthem "We Shall Overcome." In the 1970's and 1980's, Seeger focused on environmentalism, but he continued to appear at benefit concerts and rallies, and his musical legacy of protest singing continues to influence the way Americans speak out.

Workers sang during strikes not only to state their beliefs and goals, but because singing helped bind workers together. The Homestead strike of 1892 even had its own Homestead Strike Songster, and the story of the strike can be traced in the lyrics of the following four songs. "The Homestead Strike" explained that Carnegie's efforts to "lower our wages" was the basic cause of the strike. "The Fort That Frick Built" described Homestead manager Henry Frick's transformation of the mill on the eve of the strike into a fortress with barbed-wire fences. The death of nine strikers was chronicled in "Father Was Killed by the Pinkerton Men." And "Song of a Strike," written by George Swetnam, retrospectively commemorated the Homestead strikers' courage in defending their homes and their jobs against the overwhelming might of the Carnegie Steel Company and their hired "bum detectives."